The Condition is a series of still images of a Singaporean home environment. The images show local cultural paraphernalia, or more precisely, the personal belongings of one who has not merely occupied the space, but lived, slept and breathed in the home that it once was. These images were taken digitally and then printed into hard copies to invoke their corporeal sensuality. I then used sharp woodcarving tools to cut into the surface of the images, only removing said personal belongings from the environment. The act of erasure removes the object while leaving a stark white void in its place, vesting absence with presence in the contemplation of displacement and loss.